The different art styles was kind of weird, but kept it fresh. I can see peoples complaints with 'Aftermath is weird'. Horrific glimpses of animal slaughter reveal the cruelty man can unleash upon creatures lower on the food-chain, and authentic autopsy footage indulges our morbid curiosities about our final stop on the way to the grave. The CGI segments were really, really fucking bad, like ReBoot levels of shitty computer modeling/animation, except ReBoot was probably better. Gross as our guide, we bear witness to death in its many forms - even visiting a debauched death cult that mixes the ecstasy of sex with the sweet release of that final moment. As Alissa and the others on the bridge watch, the screen is suddenly. On a deep space mining mission to a remote planet, an ancient religious relic - thought to be proof of the existence of God - is unearthed and brought. From airplane crashes to railway disasters, some of us meet a spectacular end while others fall prey to hungry wildlife predators, an assassin's bullet, or - as in the case of some condemned prisoners - get strapped into the electric chair and blasted into the afterlife with over 2000 volts of pure electricity. A panicked member of the dig team contacts the Ishimura and frantically pleads for help. There's simply no escape from the encroaching darkness, and in this film we're offered a firsthand glimpse at the many ways that life can end. Everybody dies - it's the fate we all face from the moment we're born. Francis Gross (Michael Carr) leads viewers on a guided exploration of that fateful moment when the spark of life is brutally snuffed out.
Experience the ultimate in cinematic shock and horror as Dr. Dead Space: Downfall: Directed by Chuck Patton, Curt Geda, Vinton Heuck.
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